Let’s forgive a play that has everything in it but the second coming (wait, this is only part one) for being hailed as the second coming itself, but let’s also take it for what it is: a sprawling, very long, but not boring work of throbbing emotion that has moments of genius balancing its pretension, overwriting, and more-familiar elements. The great stuff is Roy Cohn’s as he grooms young aide, Joe Pitt, for unethical politics. But the married Mormon wants no part of it.
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